Hello family,
First of all, HAPPY BELATED THANKSGIVING!!!
Regardless of what this day means for you, we all must learn and practice giving thanks and love to those who are in our lives.
Have a beautiful day, every single day.
Now you guys must be wondering, "Who is Jason Lee Byrd?"
Jason Lee Byrd is a very skillfull, and dedicated Capoeira Angola teacher I admire very much, who teaches at a school called Pastinha's Garden of Capoeira Angola (PGAC for short). He's the tall guy in the dreadlocks:
A couple of months ago. he asked a simple question on a FB discussion group called CAPOEIRA TALK - jOGO dE bOCA. And, that question was this:
WHAT IS CAPOEIRA?
This blog is my attempt to answer that question.
Now I've said before that Capoeira,Is an ancient tradition brought to brazil by african slaves, but it's not a relic of the past. In fact, it's forever new.
It's a dance, but it's much more than that.
It's a deadly martial art, but it's much more than that.
It's singing and playing music, but it's much more than that.
It's a philosophy, but it's much more than that
It's Art, but it's much more than that.
In fact it's all those things, and much more.
There are many styles, or ways that Capoeira is played.
You have Capoeira Angola, the old traditional style, first popularized by Vincente Ferreira Pastinha, aka MESTRE PASTINHA...
You have Capoeira Regional, created by Manoel Dos Reis Machado, aka MESTRE BIMBA...
You have Contemporary Capoeira, the modern style, which blends both Capoeira Angola and Regional...
Those are the 3 main styles practiced by many groups all around the world today, in many different expressions.
And in addition to those styles, we have other, more modern expressions of capoeira...
Now there are those who like to argue about what style is "real or not real" capoeira, but personally, I see capoeira as a way of life, and in life, there are always going to be different opinions as to what is better, and what people prefer over another. If the different styles and ways of playing capoeira didn't exist, then capoeira wouldn't be alive.
It would be dead.
However, I truly believe that if you stay with Capoeira, and go deep into the art, you will be provided with a way of life where you can truly develop yourself physically, mentally, and even spiritually...
And with capoeira, you will be able not only to just survive, but THRIVE through life, and to accept your death when it is time.
I also said before that even though certain aspects of capoeira are emphasied more than others at certain moments, depending on when we need them, it still has all those elements in it together.
And this was really brought Home to me a couple of weeks ago.
On Saturday, November 21, my Capoeira Angola teacher was one of the lead characters in a play at the Magicropolis in Santa Monica:
Yes, that's my teacher, CHARLES WILLIAMS.
The play was called, "A NIGHT IN PALMARES", and it was about the Quilombo Dos Palmares. But first, a little history.
starting in the early 1500's, over 4 million Africans were captured and brought to brazil during the ATLANTIC SLAVE TRADE.Below is a short documentary of what their lives were like:
Now those brave souls who refused to be slaves, ran away from their owners in the sugar mills and mines into the hinterlands. Some who ran away banded together, and formed free communities called QUILOMBOS.
Now around 1605, a free republic was formed made up of runaway slaves, army deserters, and Native Americans in the Northeast of brazil, in what is now the state of Pernambuco.
The republic was called, PALMARES.
Below, is a movie about this quilombo made in 1984...
Now as you can see in this film, in 1694, Palmares was suppressed, and the last King, ZUMBI, was killed.
But don't think that there are no quilombos left. They're still out there in brazil!
Uploaded on Sep 30, 2007
Trailer for documentary film "Quilombo Country," by Leonard Abrams. Film narrated by Chuck D (of famed hip-hop group Public Enemy). Available for purchase at http://www.quilombofilm.com
Category
Travel & Events
License
Standard YouTube License
Anyway, the play was AMAZING, and in it, I saw Capoeira's theatrical, musical, and yes, sometimes comedic aspects. What I mean was, there were acrobatics, and of course being a play, none of the kicks thrown were meant to hurt anyone. But this is also an aspect of Capoeira, I think. to show it's beauty.
like a RED RED ROSE.
But a red rose, as beautiful as it is, has a lot of BIG ASS THORNS! And I saw that aspect at he Capoeira Roda at the BRASIL BRASIL CULTURAL CENTER that was held after the play. The beauty was still there, and all the love and camaraderie that you'll find in true Capoeira. But the kicks thrown were for real, there was aggression, and there were players there who played HARD, and tested themselves and their fellow players.
And this is all part of Capoeira, too.
Now this roda, and the play for it, was hosted by Grupo Capoeira Batuque, headed by Mestre Amen Santo. Many Years Ago, He, along with Nilson Reis made a video series with Panther Productions, which was my first real exposure to capoeira...
And a few years later, there was the movie ONLY THE STRONG, which Mestre Amen choreographed, and starred in with Mark Dacascos, who was also at the magicropolis watching the play...
You know, for many years, I wanted to meet Mestre Amen, and tell him what a HUGE inspiration he was to me to actually find my way to this art of Capoeira. And when the oppurtunity came... I PUNKED OUT LIKE A LITTLE BITCH!!!
Oh Well, another time will come. Maybe I'll have the balls to go and talk to him then.
There were other capoeiristas I knew there, like my friend and brotherJelani Ticum Lateef, Contramestre Versatil, & Saracuru.
Around 2 times a year, Saracuru, along with another phenominal capoeirista named Muito Tempo, who was also at the roda, hosts this amazing event called THE CAPOEIRA EXCHANGE. It's an event to share and exchange capoeira for teachers and students of all schools and styles. This event is for the capoeira community to come together, share knowledge, and grow together.
This video of the last event (which I was at) should give you a taste of what this event is about.
And, they're having another event, Capoeira Exchange 5.0. It's taking place at Union Station in Downtown L.A.
Onward.
Now, let's go back to the original question of this blog...
WHAT IS CAPOEIRA?
So, how did I answer this question? Did I tell you guys what Capoeira is? Right now, I think maybe I did.
But I've only been learning this art for a year and two months. Maybe a couple of years from now, I'll be saying, "OH HELL NO!!! I left a bunch of shit out." Some of you out there may be saying it now...
But Anyway, I'm gonna close this blog with something else I said before.
This is from "CAPOEIRA: A BRAZILIAN ART FORM" by Bira Almeida aka. Mestre Acordeon:
"I wished to be a dancer and I could not be. Today I dance in capoeira. I wanted to be a fighter, so I fight in capoeira. Because I want to be an artist and express myself, have self esteem, and be a real human being, I am a capoeirista."
I just read this expansive blog entry and I think you idd a good job of presenting the various styles of "capoeira" that are extant in current practices. I also like the fact that you showed respect to your teacher and the various other Mestres in attendance.
ReplyDeleteUnfortunately, I am multitasking right now and am not able to give this blog as comprehensive response as I would wish to.
There is no question that all of the expressions that you mentioned are legit. The play, the comedy, the art, the game, the spirituality and ritual, etc etc. However, there is only one approach that has proven to holistically include all other elements without shortchanging one for the other, and that is the approach that puts full spectrum self defense skills at the center of all Kipura/"capoeira" practice. This is the approach that I and others like Mestre Xavier and the brutha from Ghana [ whose video you placed directly under mine ] use. To my understanding, this approach is NOT used by the other groups you mentioned, and to that extent, they are actually not following the lead shown in the kilombo [ misspelled and miscalled "quilombo" ] that they were seeking to honor with their play and subsequent roda practices.
The example you gave of the kilombo colloquially known as "Dos Palmares" in Portuguese but more properly known in our Afrikan Kimbundu tongue [ miscalled "Bantu" ] as Ngolo Janga
https://en.wikipedia.org/wiki/Palmares_(quilombo)#From_Palmares_to_Angola_Janga
meaning "Little Ngola", really hammers the point home. Nobody...least of all the cardio capoeiristas creating participating in and enjoying the play centered on "Dos Palmares"...would advance the idea that Zumbi or any genuine warrior practicing the Montu of Afrika in Palmares lacked sufficient development in matters of the spirit, life, philosophy,art, play, etc. Ngolo Janga achieved this harmony by emphasizing its Afrikan identity and perpetual war and self defense focused culture.
History shows conclusively that removing the Afrikan centered self defense practices as the primary heart connective tissue and main reason for practicing Montu ALSO ELIMINATES AND INVALIDATES ANY AND EVERY artistic, cultural, linguistic, spiritual, historical, etc etc aspect of this unique practice. Worse still, it opens the door for the propaganda launched by the Brazilian government of the early 20th century that seeks to coopt authorship of this Afrikan art belonging to Afrika and all Afrikans worldwide. The policies of the Brazilian government also brazenly dishonestly and with full malicious racist intent seeks to coopt the honors prestige culture spirituality history and even racial identity of this magnificent Afrikan expression and recast it as entirely or primarily a Brazilian [ especially White Brazilian ] creation or co-creation.
Part 2 of my reply...
ReplyDelete..This kind of dishonesty is the worst disservice to all humanity, the great saga of humanity, and is the literal continuation of the divisive exploitative manipulative destructive propaganda policies desires and goals of the racist, sexist, elitist, rapacious, immoral colonial slavemaster caste which transformed into the economic military and political elite in Brazil almost 100% across the board since the 1600's. I implore all people of good will, good character, and all lovers of the art of my ancestors and my family. We must not. Must not. Continue such terrible policies. For any reason. We will infect ourselves, our children, our grandchildren, our grandchildren's children and so on for perpetuity with the same stupidities and horrors that caused slavery to happen and Janga Ngolo to rise in the first place.
As practitioners of Kipura [ proven by Dr. Fu-Kiau https://www.youtube.com/watch?v=bogbLGfIfCE
to be the root word of the Kongo reflective of the fighting method misunderstood mispronounced and misapplied by the Portuguese as "capoeira" ] we are doubly responsible and doubly beholden for the return of self defense as the very core for and heart of the practice of the art, and disseminating the authentic Afrikan truth of it. In this way...and only this way...will we be able to simultaneously reacquire the respect our art deserves [ a respect we lost directly due to the almost uniformly proven to be comically ineffective self defense practices of cardio capoeiristas [] as a magnificent art of self defense without peer or equal worldwide, preserve the honest, authentic history culture spirituality language place of origin Afrikan inheritance philosophy art etc of Kipura and provide invaluable liberating whole human embracing services for humanity as a whole.
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